There’s a new post up on the Yuletide Admin comm regarding Deadline Day 2022. Please note that there may have been a delay between that post and this crosspost.
You can go through to DW to check the details:
If you have follow-up questions, they can be asked in the DW comment section using DW login, OpenID with your tumblr login, or a signed anonymous comment.
The way I personally stay true to the story I started down on is to give myself permission to not teach anyone anything. I’m not writing a manual. I’m not delivering bromides. I know that a lot of people do take enormous pleasure and relief in lines or phrases or ideas from stories that ring true to their own lives, but it’s important for me that I tell a story and that I’m not writing Chicken Soup for the Necromantic Soul. It is getting harder and harder again, especially for authors from marginalised places or backgrounds, to write works where the takeaway isn’t ‘this is to succour all my marginalised people’. For anyone on the female-identified axis this is especially hard because it seems to me that most books by anyone female-adjacent have an expectation that they will comfort the uncomfortable and discomfit the comfortable etc., whereas a guy can just tell an adventure story and be done with it. This ties in with an idea that I think <is prevalent> nowadays that good art is moral and bad art is immoral: i.e. if a story is bad it actually has to be because the lessons are bad, and if a story is good it must somehow be beautiful on the moral scale. We go looking for why the art we love is moral even if the art we love is a donut. I think this is the pressure of capitalism on time – that everything has to double or triple up in benefit compared to the time we take on it: if we’re prepared to waste eight hours on a book we had better be able to tot up at the end how that book was also feeding us in some way. That’s brand time we just used.
I am writing for my younger self and it would be disgusting of me to try to teach her anything.
Tamsyn Muir, Interview with Ciara Seccombe, 2/5/22
in a just world a good omens au wouldnt just mean “angel and demon” it would be reimagining characters as a wholesome gang of rambunctious kids and also one is the antichrist
an empty probably porn tumblr followed me but the name it’s using is ‘estafana quackenbush’ and i love that fictional name so much that i hope me and the bot become best friends.

























