Hyper Projection Engeki Haikyuu - Start of the Giant
Press preview - Fly!!!
(x)
k8ecrowley
akira-kurusu
Come… Steal it, if you can!
engekihaikyuu
2nd Anniversary of this Engeki Haikyuu blog!!!
Belated, actually, since I missed it again lol
Two years, 5400+ posts, and countless shenanigans, and here I am still, to try and bring you guys the latest news, updates, scans, gifs, clips, and translations for our beloved Engeki Haikyuu~
Thank you guys for sticking with me and for sharing with me your enthusiasm and love for this wonderful production!
With love,
@nimbus-cloud
engekihaikyuu
Hyper Projection Engeki Haikyuu - Start of the Giant
First day of shows complete!!! Yaaaayyyy!!!
(x)
areteruno
bokuboks
esselley
<< Part 2 | Part 3 of 3 (Final!)
Epic index >>
Just a few days later, there’s a summer storm brewing. The surf report forecasts high waves across the beaches in the area, and the city’s website warns tourists and locals alike that it is best to stay out of the water. Sakanoshita cancels surf lessons for the day.
Kageyama’s legs feel twitchy. He hasn’t surfed big waves, really big waves, in a long time. He doesn’t usually seek them out—he prefers the feeling of control he gets on smaller waves, the manageable ones he can trick out on.
But knowing the big ones are close is still a siren song for him.
In no time at all, he’s tracing the usual path to the surf shop, barging in through the door. “Ukai!”
Ukai, and the little elderly lady he is helping find the perfect surfboard magnet for her grandson back home, both jump.
“The store is tiny,” Ukai says. “Why are you still yelling?”
“Are you going out today?” Kageyama asks.
“Kageyama,” Ukai says, a distinct undercurrent of admonishment in his voice, “I’m with a customer.”
“Great, can I borrow your board?” Kageyama says instantly.
Ukai waves a hand in acceptance and Kageyama hurries for the back room, but when he opens it and looks in, the gun is gone. Ukai looks like he’ll kick him out if Kageyama interrupts again, so he waits in tense silence until the granny has bustled off and Ukai is free. Before Ukai can ask him what he wants, he blurts,
“Did you move it?”
Ukai frowns. “What? No, it should be where I first put it, when you helped me.”
“It’s gone.” Kageyama shakes his head. There’s no one else who would be able to get back there besides Ukai and… “Where’s Hinata?”
buchipartymoved
Hfhdhfhg sorry for not being so active on here;;;
Anyway I tried out to do lineless art
bluecatkate
Hyper Projection Engeki «Haikyuu!! The Start of the Giant» [Premiere & Press Conference]
itsalways3here
risartblog
kythen asked:
Hi Risa! Could I request for kurodai cuddling or doing something domestic together? ( / v \ ) Thank you!
sleepy morning kurodai is best kurodai ! Thank you so much for requesting Ky ! ♥
cath-sith
kanzaki19
10 outline techniques for writers
With this post I listed 10 outline techniques to help writes move their story from a basic idea to a complete set of arcs, plots, sequences and/or scenes. Or to simply expand whatever you have in hands right now.
If you have a vague story idea or a detailed one, this post is for you to both discover and organize. A few technique will work perfectly. A few won’t. Your mission is to find the one that works best for you. That said, I advice you to try out as many techniques as possible.
So, are you ready? Open your notebook, or your digital document, and let’s start.
1. Snowflake method: Start with a one-sentence description of the novel. Then, develop this simple phrase into a paragraph. Your next step is to write a one-page summary based on the paragraph, you can write about characters, motivations, goals, plots, options, whatever you feel like. From this point on, you can either start your book or expand the one-page summary into four pages. And, at last, four pages into a brief description of known sequences of scenes. Your goal is to make the story more and more complex as you add information, much like a forming snowflake.
2. Chapter by chapter: List ten to twenty chapters, give each chapter a tittle and a brief description of what should happen. Then, break each chapter into three to five basic sequences of scenes. Give each sequence a title, a brief description and a short list of possibilities (possibilities of dialogues, scenarios, outcomes, moods, feelings… just play around with possibilities). From this point on, you can either create the scenes of sequences with a one-sentence description for each or jump straight to writing. Your goal is to shift from the big picture to a detail-oriented point of view.
3. Script: This might sound crazy, but, with this technique, you will write the screenplay of your story as if it’s a movie. No strings attached to creative writing, just plain actions and dialogues with basic information. Writing a script will take time, maybe months, but it will also enlighten your project like no other technique. Your goal is to create a cinematic view of your story. How to write a script here.
4. Free writing: No rules, no format, no step, just grab a pen or prepare your fingers to write down whatever idea that comes up. Think of possibilities, characters, places, quests, journeys, evolutions, symbolisms, fears, good moments, bad moments, clothing, appearances. Complete five to ten pages. Or even more. The more you write, the more you will unravel. You can even doodle, or paste images. Your mission is to explore freely.
5. Tag: This technique is ideal if you have just a vague idea of the story. Start by listing ten to fifteen tags related to the story. Under each tag, create possible plots. And, under each plot, create possible scenes. Grab a red felt pen and circle plots and scenes that sparkle your interest.
6. Eight-point arc: With this technique you will divide your story into eight stages. They are Stasis, Trigger, Quest, Surprise, Critical Choice, Climax, Reversal and Resolution. The Stasis is the every-day-life of your main character. Trigger is an event that will change the every-day-life of your character (for better or for worse). Quest is a period of your main characters trying to find a new balance, a new every-day-life (because we all love a good routine). Surprise will take your character away from their new found every-day-life. Critical Choice is a point of no return, a dilemma, your character will have to make the hardest decision out of two outcomes, both equally important. Climax is the critical choice put to practice. Reversal is the consequence of the climax, or how the characters evolved. Resolution is the return to a new (or old) every-day-life, a (maybe everlasting) balance.
7. Reverse: Write down a description of how your story ends, what happens to your characters and to those around them. Make it as detailed as possible. Then, move up to the climax, write a short scenario for the highest point of your story. From there, build all the way back to the beginning.
8. Zigzag: Draw a zigzag with as many up and downs as you want. Every up represents your main character moving closer to their goal. Every down represents your main character moving further from their goal. Fill in your zigzag with sequences that will take your character closer and farther from the goal.
9. Listing: The focus of this technique is exploring new ideas when your story feels empty, short or stagnated. You’ll, basically make lists. Make a long list of plot ideas. Make another list of places and settings. Make a list of elements. And a list of possible characters. Maybe a list of book titles. Or a list of interesting scenes. A list of bad things that could happen inside this universe. A list of good things. A list of symbolism. A list of visual inspiration. A list of absurd ideas you’ll probably never use. Then, gather all this material and circle the good items. Try to organize them into a timeline.
10. Character-driven: Create a character. Don’t worry about anything else. Just think of a character, their appearance and style. Give them a name. Give them a basic personality. Give them a backstory. Develop their personality based on the backstory. Now, give this character a story that mirrors their backstory (maybe a way to overcome the past, or to grow, or to revenge, or to restore). Based on your character’s personality, come up with a few scenes to drive their story from beginning to end. Now, do the same thing for the antagonist and secondary characters.
So, when is it time to stop outlining and start writing?
This is your call. Some writers need as many details as they can get, some need just an basic plot to use as a North. Just remember, an outline is not a strict format, you can and you will improvise along the way. The most important is being comfortable with your story, exploring new ideas, expanding old concepts and, maybe, changing your mind many times. There’s no right or wrong, just follow your intuition.
donamoeba
bakapandy
Free! Take Your Marks - English Subtitles
It’s done, it’s done! So many thank yous to the team, @albatrossmuffin, @donamoeba, and @arellethram!! It’s thanks to everyone’s herculean efforts that this could be finished so quickly!
Thank you for having me in the team! This is probably going to be my last major translation project for now, and i’m glad i got a chance to work on it. Kudos to everyone on the team, especially @albatrossmuffin for her relentless dedication to the project. I hope you all enjoy the fruit of our labor!
ukiyosen
